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That’s a long way from the days when you had to cover the du jour pop tunes in your corner bar to put food on your table, so if you’re going there now, I’ll go there with you. I’m rabid for tribute albums, and by a similar nature, always game when established musicians do cover songs because they want to. For me, it’s just lacking that intangible oomph to force its way to the top of the pile.
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It’s pretty, well-crafted and consistent. And “Winter Blue” is a pretty stunning exercise in twee-pop, with some nice arrangements that will remind you of another guy named Wilson. (It actually reminds me more of a song called “ Fall” by The Tender Idols, but that’s really stretching a reference!). “My Return” and “Queen of Tomorrow” are probably the standouts as far as the more energetic tracks go, while “Forgot Me Now” reminds me of Semisonic’s finest slower moments. But after ten tracks I was in serious need of something more uptempo, although the closing track “Never Mine To Lose” is a solid exit. Stereo Night kicks off with the ambitious “Dreams”, weaving hook and melody between foreground and background like a delicious hypnotic dance. Well, if you like great vocals, those of John Munson and Matt Wilson as The Twilight Hours are stellar. I could listen to something like “Falling” all day long. The slower paced songs (“Secret Smile”) seemed more fragile by comparison. Sure, much of it was powered by piano and acoustic guitar maybe it was the way Dan Wilson’s vocals soared above it all that hooked me. One of the things I liked about Semisonic was that even when they weren’t really rocking (“FYT”, “Brand New Baby”, “Across The Great Divide”, “If I Run”, etc.) they had a punch to their songs. I heartily recommend you go read So You Wanna be A Rock And Roll Star as soon as possible – it’s literate, funny and poignant.īut on to these two records a semi– Semisonic, if you will. And Jacob Slichter? Well, he only wrote one of the best books I’ve ever read about being a musician and getting tossed into the star-making machinery. Now those three are involved in related projects as artists and producers (damn, Minneapolis is a fertile ground!). Like the Gin Blossoms, they seemed like they’d pump out pleasing melodic pop rock for a long time, and then – like the Gin Blossoms – they were yesterday’s hot band.īefore there was Semisonic there was Trip Shakespeare, where the Wilson-Munson-Wilson axis was firmly in place. Fortunately the band had both chops and songs. “Closing Time” – both song and video – seemed to spool in an incessant loop for about a two year period. The law firm of Wilson-Munson-Wilson is back!ĭoesn’t seem like that long ago that Semisonic was a staple of our radio diet.